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Solo Training for Trombone

Solo Training for Trombone

$19.95
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MPM 13-025
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Product Description

Solo Training for Trombone by Dan Barrett is appropriate for trombone players high school age and up.

66 pages, spiral bound to lay flat on the music stand.

Contents: Marcello - Sonata in F Major, Galliard - Sonata #1 in a minor, David - Concertino, Rimsky-Korsakov - Concerto, Grafe - Grand Concerto, Barat - Andante et Allegro, Guilmant - Morceau Symphonique, St. Saens - Cavatine.

 

Click Here to download free PDF sample pages

 

"When tackling the solo literature for trombone, one is always faced with many challenges in getting these varied pieces to a high level of execution and artistry. Whether you're a young student discovering this music for the first time, or a seasoned pro preparing for your next solo appearance, the following exercises will provide tremendous help in a new and creative way that allows one to "cross train" and overcome these challenges as well as develop or maintain solid fundamentals.

Dan Barrett has composed fun and effective etudes that all will find helpful. I am happy to endorse these etudes and look forward to trying them in my own performing and teaching.

Bravo!"

James Nova
Trombone - Pittsburgh Symphony Orchestra
Adjunct Professor of Trombone - Duquesne University

 

These routines have a dual purpose: to provide exercises that will help you carefully practice and prepare some of the standard works in the repertoire and to provide a daily dose of technical work using real music that is recognizable and well-liked by trombonists. Working on these studies will teach the value of breaking the music into chunks, isolating specific weaknesses in your playing and devising a strategy that will gradually, but unfailingly, bring you to a point where your weaknesses have become strengths.

These exercises include many that I’ve often wanted to teach my students during lessons but are too complex to teach on the spot, by ear. They also include ways in which I encourage my students to adapt their warm-up and technical work when they are preparing one of these solos. This book is certainly not exhaustive, but rather presents examples to get your mind thinking of creative ways to teach yourself, generating exercises on the spot that will remedy the difficulties you encounter.

 

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